Tag Archives: Writers Resources

From the Archives: How the Life of a Writer Resembles a Bee

To celebrate the one year anniversary of my blog (March 13th), I’m publishing select posts throughout the year under the title “From the Archives” for those who may have missed them the first time around. Next up…

 How the Life of a Writer Resembles a Bee

On this journey to becoming a published author, I’m discovering that the life of a writer resembles a bee, a very busy bee. I’m not referring to a queen bee or a drone, but a worker bee.

Honey Bee in Sunlight
Honey Bee in Sunlight (Photo credit: Scott Kinmartin)

The worker bee buzzes from flower to flower collecting nectar and pollen to make honey, but that’s not her (yes, a worker bee is female) only job. She builds the honeycomb and keeps it clean. She makes wax. She cares for the babies and protects the hive. When she finds a good source for nectar and pollen she buzzes back to the hive and communicates the good news. She is a social creature that shares her discoveries for the benefit of the hive. She collaborates with others to make something sweet. She is a very busy little bee.

So how is the life of a writer like a bee?

The days when a writer could simply collect thoughts and ideas and write a novel (as if writing a novel were simple) are long gone. No, writers, that is not your only job. You need to do your homework.

  • Read books on the art of writing.
  • Read books on formatting your manuscript, query letter and synopsis. I’ve read a dozen or so over the last few years and recently ordered several more.
  • Read the top rated novels. I started a project over a year ago to read the Modern Library’s Top 100 novels and recently merged it with Time Magazine’s Top 100.
  • Read current bestsellers.
  • Read books within your genre.
  • Read books outside your genre.
  • Research the submission process.
  • Research agents too. Read their blogs and get to know their likes and dislikes. After all, you hope one will represent you some day.
  • Read the blogs of authors they represent.
  • Read those authors’ books too.
  • Read…A LOT.

Of course most of you know that already, but did you also know that you are expected to market and promote your work? I’m sure visions of book tours and interview flash across your mind as you think, “Uh, duh. I knew that.” Let me rephrase that then. Did you know that you are expected to market and promote your work before your book has been published?

I didn’t know that. I neglected to read anything on social media. I skipped those chapters in the books I read. That comes later, after you’re published, right? Wrong. A writer needs to create a buzz, a following, prior to becoming published. In this technology driven world the best way to do that is through social media. Agents are more likely to take a chance on you if you can show that you have a presence on the internet.

Take a lesson from the honey bee. She visits several different sources (species of flowers) to make honey. Writers should do the same when writing and publishing a book. Don’t trust just one source for information. Read about the mistake I made doing this in my post, Word Count for Novels. Be social, like the bee. Flutter among the cyber flowers (blogs, online forums, Twitter, Facebook, Goodreads, author and agent websites, etc.) and make friends. Collect all that you have learned and create something that, like honey, lasts. Then go back to the hive (the internet), do the crazy bee “waggle dance,” and share what you’ve learned.

If you don’t have a blog yet, start one. I know. It’s a little intimidating at first. Creative people tend to be more introverted so this “social media thing” can push us out of our comfort zone. You may wonder if anyone will be interested in visiting the microscopic spec in cyberspace that is your blog. If you are like me, you may feel more like a bumble bee: poorly designed for flight. Sure, it may be a little difficult to get off the ground at first and you may wonder if your paper-thin wings can support your awkward body. You may fumble a bit, but remember:

“Aerodynamically, the bumble bee shouldn’t be able to fly, but the bumble bee doesn’t know it so it goes on flying anyway.” Mary Kay Ash

Defy physics and reason and soon you will be soaring high. Plus, I’ve learned that writers, by nature, are generous people. The followers will come.

Oh, and by the way, my name means “honey bee.” So, you see, I have been a very busy bee, indeed.

Against Idleness and Mischief

How doth the little busy Bee
Improve each shining Hour,
And gather Honey all the day
From every opening Flower!

How skillfully she builds her Cell!
How neat she spreads the Wax!
And labors hard to store it well
With the sweet Food she makes.

In Works of Labor or of Skill
I would be busy too:
For Satan finds some Mischief still
For idle Hands to do.

In Books, or Work, or healthful Play
Let my first Years be past,
That I may give for every Day
Some good Account at last.

Isaac Watts

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From the Archives: WORDLE: A Nifty Little Tool for Writers

To celebrate the one year anniversary of my blog (March 13th), I’m publishing select posts throughout the year under the title “From the Archives” for those who may have missed them the first time around. Next up:

 

Wordle: A Nifty Little Tool for Writers

I stumbled across this program a while back and recently tried to recall the name because I thought it might be a useful tool for writers. Well, I was reading through the comments on Kristen Lamb’s blog (if you haven’t been there you must check it out) and, what do you know, there it was: the name of the program that had eluded me.

So, what the heck is Wordle?

Wordle is a program used to create word art from text. Words that occur more frequently are visually amplified (displayed in a larger font).  While this makes for some pretty cool art (just explore Pinterest and you will find all kinds of creative art using Wordle), there are other benefits too. For example, you can summarize survey results to see the most popular answers or pinpoint the main idea of an online discussion.

I’m sure by now you can guess the benefit for writers. It will magnify the words used most often in your writing. This can help you find words you are overusing, like those pesky little adverbs!

After I came across the post with the reference to Wordle, I jumped on the internet to find it. You can find it here: www.wordle.net. You may need to enable JAVA applets in your browser (the website provides instructions), but it’s fairly easy to use. Just paste the text into the window and press the “go” button.

I pasted my MS into the application and generated the Wordle. I discovered that the main characters in my novel were the most prominently displayed words. The next largest word was “back.” Huh? Do I really overuse that word?

I toggled back to my manuscript and read back through the document. I glanced back and forth between my MS and the Wordle. I was puzzled. Okay, not really, just surprised. I had no idea I used that word so often. I went on a search and destroy mission and discovered that in all but a few instances the word was unnecessary. UNNECESSARY! Wow, what a helpful little tool.

I wondered what the Wordle of the work of a famous author would look like. Well, there was no way I was going to type War and Peace into a document but I did happen to have a digital copy of one of Tolstoy’s short stories. I pasted A Spark Neglected Burns the House into the window and waited for a visual representation. Here is what it looks like.

Tolstoy Wordle

Hey, there’s that word again: “back.” It’s in yellow font next to Gabriel. It’s somewhat prominent in his story. I don’t feel so bad about my overuse, but don’t regret removing it either. I generated a few others for comparison purposes.

The Fiddler by Herman Melville

The Fiddler by Herman Melville

The End of the Party by Graham Greene

The End of the Party by Graham Greene

The main characters were the most prominently displayed words in all three Wordles. You can get a general idea what the story is about by looking at the remaining jumble of words. Okay, well, maybe not, but it looks cool! If anything it would be an artistic way to display your creative work once it’s published. 🙂

The Writing Book That Helped Me Win NaNoWriMo

Yesterday I discussed my strategy (for lack of a better word) at the kickoff of NaNoWriMo and how ill-prepared I was to write a novel. I was following in the footsteps of King and Bradbury. Silly girl, so out of your league. I had written a novel by the seat of my pants before. Surely, I could do it again. Nope, it wasn’t going to happen, certainly not in the time frame allotted. 

Maybe King and Bradbury didn’t need to plan their stories, but somewhere in those brilliant minds I believe there was a plan, just not documented. For us less talented people, we need guidance, a model and that is just what Larry Brooks provides in his book Story Engineering. I created a model in Excel based on what I learned from the book. I merged it with my timeline, so it’s a little too intricate to share in this post, but I searched the web for a summarized version and found one here.

As you can see, there are certain milestones that should occur at predefined (but not rigidly set) points in the story to increase the dramatic tension and keep the reader engaged. The book goes into a deeper level of detail. If you read it and follow the model you won’t be at a loss about what to write and when. The model provides the structure to set the right pacing and tension for your story. If you deploy one of these milestones too early or too late, you risk losing the reader.

Are you still not sure you need a model? I didn’t think I did either until I hit that wall. Here is what Brooks has to say on the subject of organic writing:

“Many writers just sit down and write without a recipe. A story may or may not emerge, and that lucky writer may or may not be cognizant of the presence of the various structural elements and storytelling presence—the recipe—required.”

“While organic writers are often loath to admit it, the very drafting process they advocate is nothing other than a process of searching for and blueprinting their story, one iteration at a time, until they arrive at a solid sequential structure for it.”

“King’s approach—known as organic writing or, in some circles, pantsing (for seat-of-the-pants storytelling)—may actually work for some, but that’s only if a) you know what you’re doing to the extent that you don’t need to plan out your story; b) you somehow stumble upon the proper structural sequence and intuitively meet all the criteria for the various essential components; and c) you’re willing to complete the inevitable rewrites that come with writing without a story plan.”

“Those published writers who, like King, just start writing their stories from an initial idea do so using an informed sensibility about, and working knowledge of, story architecture. And yet, this is the default approach for nearly every new writer and a startling percentage of established ones, published and non published alike.”

Brooks provided many analogies in his book to emphasize this point. Here are a few:

 Recipe Analogy

“Consider a chef preparing a gourmet dish as an apt analogy for writing a story. First, the chef acquires all the ingredients called for in the recipe. There are basic principles to follow (eggs Benedict, for example, doesn’t fly without eggs, ham, an English muffin, and hollandaise sauce); still, there is room for the chef to play with the recipe to make it his own creation.”

Architecture Analogy

“Just as an engineer relies on an architecturally sound blueprint to build a structure that will bear weight and resist the elements—a vision and a plan based on proven physics and structural dynamics—writers can benefit from approaching the craft of storytelling armed with a keen command of the literary equivalent. It’s unthinkable that an engineer and an architect would meet at the construction site one day and just start digging holes and pouring concrete.

Writing is no different. We build our stories on a foundation of structurally sound principles. But from there we depend on something less definable and teachable to elevate our work. To raise it to something that publishers will buy and readers will consume and embrace.”

Human Body Analogy

“Human beings bring only a handful of facial features to the blueprint of how we look—two eyes, two eyebrows, a nose, a mouth, a pair of cheekbones, and two ears, all pasted onto a somewhat ovular-to-round face. That particular blueprint doesn’t often vary much, either. Interestingly enough, this is about the same number of essential storytelling parts and milestones that each and every story needs to showcase in order to be successful.

Now, consider this: With only these eleven variables to work with, ask yourself how often you see two people who look exactly alike. Where we humans are concerned, the miracle of originality resides in the Creator, who applies an engineering-driven process—eleven variables—to an artistic outcome.”

There are seven billion people on the planet. How often do you see two people who look exactly alike? Yet we all have the same basic structure underneath. His model provides the basic structure of every successful story without limiting the writer’s creativity. Brooks tells us “with some isolated and therefore irrelevant, exceptions, every published novel or produced screenplay delivers on each of the Six Core Competencies described in this model, at least to some degree. Even if the author doesn’t recognize it, or happened to back into them after multiple drafts. And even then, the really successful ones take them to a level of integration that defies definition. That become artful.”

So what are the six core competencies?

  1. Concept-The idea that evolves into a platform for a story.
  2. Character-Every story needs a hero. We don’t need to like him, but we do need to root for him.
  3. Theme-What your story is illuminating about life.
  4. Structure-What happens and in what order.
  5. Scene Execution-A story is a series of scenes with connective tissue and guidelines to make them work.
  6. Writing Voice-The suit of clothes that delivers the story to the reader.

The list only touches the surface of what is covered in the book. Maybe, like me, you had a basic understanding of the core competencies. I’ve read dozens of books on the craft of writing, but this is the first one that provided clarity on how it all worked together. This book will take your understanding of the writing process, story structure, and hopefully your writing, to a higher level.

To learn more about the competencies and how to deploy them properly in your novel, you will need to read the book.

 

How I Won NaNoWriMo

Yesterday, I discussed my, ahem, “strategy” for NaNoWriMo. Okay, you can stop laughing now. Seriously, stop. It’s embarrassing. Okay, are we done yet? Let’s move on people.

Yeah, it didn’t work out so well for me. But, I did win. See that image in the blue box on the right of my blog? At 50,004 words, I won by a hair.

Here are my daily word count statistics from the NaNoWriMo website:

NaNoWriMo StatsSee how I was churning out words every day, with the exception of my day of “cleaning” out the cobwebs (literally and figuratively) on day seven? I was on a roll. I was going to finish early! Somewhere around mid-month, I scheduled a celebratory wine tour with my husband to take place on November 30th. It would be my reward for winning NaNoWriMo. Presumptuous, I know, but I felt confident {key phrase coming} at that point.

Then I hit a wall and didn’t write anything for four days (the 20th through the 23rd). It felt like I was gasping for my last breath as a writer. On the fourth day I turned to Story Engineering by Larry Brooks for oxygen. Reading his book was like breathing in the fresh air. I had read dozens of books on the craft of writing up to this point, but found the formula for writing a good novel was nonexistent or esoteric at best. You just had to plug away at the keyboard every day and eventually something worthwhile would emerge. Some of these books have been praised by me in posts on this blog (Words of Wisdom on Writing from the King and Zen in the Art of Writing by Ray Bradbury).

Like them, I was a panster. We don’t need no stinking model! Both King and Bradbury professed that there was no magic formula to writing. Here is what they had to say on the subject:

“Plotting and the spontaneity of real creation aren’t compatible.” Stephen King, On Writing

“Plot is no more than footprints left in the snow after your characters have run by on their way to incredible destinations.” ― Ray Bradbury, Zen in the Art of Writing

I found their books inspiring, stirring to a writer’s soul, and while they provided loads of helpful advice, there was no specific advice about how to write a novel. I didn’t think it existed, until I read Brooks’ book.

After reading the book, I knew exactly what to write next. I came back with a bang on the 24th, but then took time off to celebrate my son’s birthday on the 25th and Thanksgiving with the families on the 28th and 29th.

I woke up early on the 30th and wrote feverishly for a few hours. As I was nearing the 50k mark, I began to imagine that my computer would somehow blow up and the work would be lost forever. Even the copy on the jump drive would somehow magically disappear. Once I noticed that my word count had surpassed 50,000 words, I hastily pasted the story into the NaNoWriMo site and validated my word count. MS Word showed the total word count at 50,048. The NaNoWriMo validation check clocked it at 50,004, just a few words over the required minimum. I had done it. I actually wrote 50,000 words in a month.

This is how I felt:

 

 Tomorrow, I’ll discuss what I learned from Brook’s masterful book.

A Review of My Strategy for NaNoWriMo

It’s been ten days since the end of NaNoWriMo, and after giving myself some time to digest the process, I’ve decided to share what I learned during those thirty maddening stimulating days of writing. I thought I was prepared to write. Heh. Heh. Heh. {Shakes head} Bless her naive little heart.  

I had a story idea. It’s an idea that’s been with me since 2009. Actually even earlier, but that’s when I first scribbled the idea on a slip of paper. It’s the story I’ve wanted to write, but could never seem to wrap my head around it.

So, the first novel I cut my literary teeth on was a romance. I chose it because the story structure seemed pretty straightforward. In very simple terms, they meet, obstacles tear them apart; they’re reunited, and live happily ever after. Because of this I was never at a loss about what to write and when. I created detailed character descriptions and a timeline that evolved as I was writing, but I didn’t plan ahead. I was a “panster”, an organic writer, in every sense of the word. After I had finished writing the novel, I learned about Blake Snyder’s Save the Cat Beat Sheet (more about that in a later post). I plugged my story into the formula and realized I had somehow managed to write a story that followed proper story architecture. Score! Well, not really. There are other issues with it, so the novel is currently collecting cyber dust on my laptop.

But anyway, given that experience, I thought, “Pfft. Plan schman. I got this, man. Besides, developing a plan will hinder the creative process. I’m going to tackle that story.” Here was my strategy {shakes head again}:

  • Develop character profiles.
  • Have a general idea (undocumented) of the story.
  • Write stream of consciousness.
  • If you have trouble with a scene, just write the dialogue and go back in and add the details later.
  • Resist the urge to correct as you go along. Vanquish that inner editor!
  • Don’t worry about how messy the house gets (I failed at this one, though. Read on.)
  • No rules, just write!

Yeah, I think that about sums it up. I’m not sure because guess what, I didn’t write it down {shakes head once more}.

I started to have doubts about my ability to write 50,000 words in one month, but received a Pep Talk   (click on the link to read the post) on the eve of NaNoWriMo that restored my faith. On day one, I bolted out of the starting gates writing 2,729 words, far above the 1,667 daily average to meet the goal by month end. I continued at this pace for the next several days, averaging about 2,400 words per day for the next eighteen days.

There was one rare exception during this time period where I didn’t write a single word. I somehow found it necessary to clean my entire house from top to bottom including cleaning out the refrigerator, the oven, organizing my kids’ closets, and even rearranging the attic (yes, you read that right). But I viewed this as necessary to the creative process. After all, sometimes the best ideas come to me while performing some mundane task like washing the dishes.

The next day I was happily pounding the keys of my laptop again, turning in high daily word counts. I was going to finish early! Ha! This is so easy!

 And then…BAM!

I hit the proverbial wall on day nineteen. I struggled to write one word. I remember I had written a total of eighteen—that’s right, 1-8— words in the first hour. I buried my head in my hands. Oh, the agony! With great effort, I managed to write 545 words that day, but the stuff I wrote was complete shite. For the next four days, I didn’t write one single word (yes, I know that’s redundant, but it’s intentional for dramatic emphasis). I was going to fail.

As a writer, I went from feeling like this:

Meme Best Day Ever 

To this:

Rapunzel Failure Meme 

My poor muse didn’t know what to make of me. Yeah, that’s him sitting beside me, looking utterly frustrated. 

And then I picked up Story Engineering by Larry Brooks {clouds part, angels sing}. Hallelujah! I’d discovered the holy grail on writing. Tomorrow, I’ll tell you how I won NaNoWriMo.

Word of the Day: consanguinity

con·san·guin·i·ty noun \-ˈgwi-nə-tē\

plural con·san·guin·i·ties

Definition of CONSANGUINITY

1: the quality or state of being consanguineous

2: a close relation or connection

 

First Known Use of CONSANGUINITY

14th century

Definition source: http://www.merriam-webster.com

The Word of the Day started with this post.

Book Review: We Are Not Alone by Kristin Lamb

We Are Not Alone by Kristin Lamb

Goodreads Description:

Forward written by NY Times Best-Selling Author and Co-Creator of Who Dares Wins Publishing Bob Mayer “I wished there had been a step-by-step guide for writers on how to not only do it technically, but do it content-wise. This book is the answer to that wish.” Social Media is more popular than ever. As society becomes more and more technologically advanced, people are seeking new ways to interact. Humans are social creatures. Relationships and community are vital to our survival and our mental and emotional health. Writers, published and unpublished, fiction and non-fiction are hearing words like platform and brand with increasing frequency as the publishing paradigm shifts into the 21st century. The world around us is changing faster than ever, and publishing is certainly not immune. There are more opportunities for a new author today than there has been in the entirety of human history. Yet, the flip side of that reality is, with thousands and thousands of authors with books and blogs, how can a writer ever hope to stand apart let alone succeed? This book will show you how. There are countless social media experts, but Kristen’s system is specifically designed to meet the unique needs of a writer. Take charge of your future today. You have great books to write, and don’t have time for rookie mistakes that can cost you years of rebuilding your name, brand, and platform. Kristen’s method is simple, effective, and helps you harness that same creativity you apply to your writing and harness it to build you social media platform. Best part is you don’t even have to be a computer expert or know anything about sales. This system is designed to change the writer’s approach, not the writer’s personality. And the best part is you have help. Remember, We Are Not Alone.

My Review:

I read this book shortly after I started blogging in March of this year. The most valuable advice that I gleaned from it was the importance of branding your own name. If you’re a writer, don’t use a moniker for your social media platforms. Readers will have difficulty finding your book if the author name is rarely mentioned. She also advised that authors avoid using the title of their book as their name/identifier in social media platforms unless they plan to write just that one book. And what if you change the title of your book before publishing? She recommends that you use your name or the name you will be writing under for all social media platforms.

This was eye opening for me. When I started my blog, I wasn’t sure what name to use. I remember coming across all these creative social media monikers, but I couldn’t come up with one that I thought I’d want to stick with permanently, so I just used my name. By sheer dumb luck, I did exactly as the author recommends. Well, it’s more than a recommendation. To her, it’s a must.

“…it is absolutely crucial for you to brand your name over and over and over and it is always associated with your content, that is like a non-stop commercial pitching your work every single day. This is why a moniker can absolutely KILL your platform.

When you use anything other than the name that will be printed across your book, you give up your most valuable marketing real estate…the top of mind.”

The book is a bit dated, but considering it covers the ever-changing world of social media and was published in 2010, that’s not surprising. Still, it contains useful information for those who are new to social media and with the author’s sense of humor mixed in, it’s a very enjoyable read.

4 out of 5 stars

Kristin has recently released an updated book titled Rise of the Machines: Human Authors in a Digital World. It’s been getting rave reviews and is on my TBR list.

Feed the Muse: Get in the Game

get in the gameI started this blog with the intention of documenting my writing journey and to share what I’ve learned with other aspiring authors. I’ve filled it with many posts on writing advice (from others and lessons I’ve learned), excerpts and reviews of books I’ve read, promotions of other author’s work, quotes that inspire me, music that inspires me, and bloggers who inspire me.  I intend to keep posting in these categories, but there is something very important in the life of a writer that is lacking on this blog…experiences.

Sure I have them. Everyone does. I’ve shared a few on this blog, and other than what is contained in my journals, they often go undocumented, residing only in my mind until I have the occasion to recall them in my writing.

As Bradbury tells us in his book, Zen in the Art of Writing, it is through our life experiences and the senses we use to ingest them that we feed the muse. As writers, we inherently know that. We’re natural observers. We spend the majority of our day ingesting and then reflecting on life experiences. I’m an INFP (Introverted, Intuitive, Feeling, Perceptive) personality type, borderline INFJ (judging), so the reflecting part comes naturally, but I  wonder, since the time I decided to become a writer if I’ve kept my muse on a strict diet, writing mostly about what pertains to my current WIP. I thought I was being disciplined, but maybe I was starving the muse.

As Bradbury tells us, feed where you want to feed. It may not relate to something that you want published today, but that doesn’t mean it won’t give birth to an idea for a story or a scene months, years, possibly even decades from now.  Plus, it will only improve your writing.

Bradbury tells us “by living well, by observing as you live, by reading well and observing as you read, you have fed Your Most Original Self. By training yourself in writing, by repetitious exercise, imitation, good example, you have made a clean, well-lighted place to keep the Muse. You have given her, him, it, or whatever, room to turn around in. And through training, you have relaxed yourself enough not to stare discourteously when inspiration comes into the room.”

So, I view these posts as part of my training to be a writer and will keep feeding the muse by writing about life experiences.

The Tolkien quote on the header of my blog captures the essence of how I feel about life. We are given one life, and although we don’t get to choose the time or circumstances that we are born into, we do have a choice about how we spend the time we have.

fieldLife is not meant to be a spectator sport (I must’ve read that somewhere). Don’t just sit on the sidelines of life as a silent observer. Get in the game. Feel the sand between your toes, marvel at a star-filled sky, listen to the tranquil melody of a bird, smell the sweet scent of a baby’s skin, feel the warmth of the sun on your face, taste a lover’s kiss. Taste life.  Go out there and breathe in the fresh air. Let it fill your lungs and revel in the joy that you are ALIVE. And when the final seconds tick off the clock, know that you left it all on the field.

I won’t promise to post every week, but I can promise you this. I will be out there experiencing life, making the most of the time that is given to me.

“All we have to decide is what to do with the time that is given to us.” ~ J.R.R. Tolkien, The Fellowship of the Ring

Teaser Tuesday: Zen in the Art of Writing by Ray Bradbury

ZenITAOWI failed to post a teaser last week but it doesn’t matter because I’m still reading the same book, Zen in the Art of Writing by Ray Bradbury. This is unusual for me because I typically complete a book in a day or two.

Have I lost interest, you may ask? Absolutely not. I am relishing this book, R-E-L-I-S-H-I-N-G, re-reading sentences and paragraphs. I don’t generally mark up the books I read. I try to keep them in as pristine condition as possible. But I tossed that propensity right out the window with this book. I couldn’t get past the preface (don’t generally read that either) before I was underlining passages (ever so lightly in pencil, of course) and dog-earring pages. {Gasp!}

This book speaks to the heart of a writer. Here is an excerpt (I couldn’t stick to the TT guidance and limit it to 2 sentences):

“It is the moment when the porch swing creaks gentle and a voice speaks. All hold their breath. The voice rises and falls. Dad tells of other years. A ghost rises off his lips. The subconscious stirs and rubs its eyes. The Muse ventures in the ferns below the porch, where the summer boys, strewn on the lawn, listen. The words become poetry that no one minds, because no one has thought to call it that. Time is there. Love is there. Story is there. A well-fed man keeps and calmly gives forth his infinitesimal portion of eternity. It sounds big in the summer night. And it is, as it always was down the ages, when there was a man with something to tell, and ones quiet and wise, to listen.”

I. LOVE. THIS. If that doesn’t stir your soul as a writer, honey, I don’t know what will.

realswellblog.com
realswellblog.com

Teaser Tuesdays is a weekly bookish meme, hosted by MizB of Should be Reading. Anyone can play along! Just do the following:

  • Grab your current read
  • Open to a random page
  • Share two (2) “teaser” sentences from somewhere on that page
  • BE CAREFUL NOT TO INCLUDE SPOILERS! (make sure that what you share doesn’t give too much away! You don’t want to ruin the book for others!)
  • Share the title & author, too, so that other TT participants can add the book to their TBR Lists if they like your teasers!

Terrific Post on Beta Readers

Even Alpha Writers Need Beta Readers

This is a terrific post by Tiffany Reisz on Janice Hardy’s blog at The Other Side of the Story .

She submits her manuscript to five beta readers, each serving a different purpose  that gets her closer to a final product with each review.  The first reader does a macro level review and points out things like plot issues and “little darlings” that must die. She ends with a reader who focuses on the little things like grammar and punctuation.

I think it’s a great idea to put your manuscript through this type of beta reader “funnel” which prevents issues with your writing from making it through to the final manuscript. Now I just need to find beta readers with each level of expertise.